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‘Idomeneo’ hits Met Opera in HD

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The return of Amadeus Mozart’s first operatic masterpiece, “Idomeneo,” at the Metropolitan Opera of New York in 2017 will soon be experienced by Filipinos as the ever-popular CCP Met Opera in HD series, now on its fifth season, will be screened on April 10 6:30 p.m. at Greenbelt 3 Cinema 3.

Set in Crete, around 1200 BCE, Idomeneo follows the King of Crete who has been fighting on the side of the Greeks in the Trojan War for several years. Prior to his victorious return home, he has sent ahead of him some Trojan captives, including Princess Ilia, daughter of Trojan King Priam. The princess has fallen in love with Idomeneo’s son, Idamante, who has ruled as regent in his father’s absence.

Meanwhile, Princess Elettra, the daughter of Agamemnon who is the commander of the Greeks during the war, has also fallen in love with Idamante. Elettra took refuge in Crete after killing her mother, Clytemnestra, in revenge for her father’s death.

The Met Opera in HD featured production enjoys a superb ensemble including Matthew Polenzani as the king torn by a rash vow; mezzo-soprano Alice Coote in the trouser role of his noble son Idamante; soprano Nadine Sierra as Ilia; and soprano Elza van den Heever as the volatile Elettra, who loves Idamante to the bounds of madness.

The Mozart’s opera has returned to the Met in a classic Jean-Pierre Ponnelle production, conducted by James Levine last year, from March 25 to 29. Jean-Pierre Ponnelle designed the set and costume, while Gil Wechsler took care of the light design. Barbara Willis Sweete directs the Live in HD version, with Eric Owens as Live in HD host.

The CCP Met Opera in HD series features screenings of the latest operatic productions of the Metropolitan Opera of New York through the high-definition digital video technology and Dolby sound recreating the experience of watching an opera production at the Met “live.” It is co-presented by the Cultural Center of the Philippines, the Metropolitan Opera of New York and the Filipinas Opera Society Foundation, Inc., in cooperation with the Ayala Malls Cinemas.

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Theme for Heritage Month announced

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Pursuant to Presidential Proclamation No. 439 s. 2003, the National Commission for Culture and the Arts spearheads the celebration of National Heritage Month (NHM) for the whole month of May. The nationwide celebration is in recognition of the need to create among the people a consciousness, respect, and love for the legacies of Filipino cultural history.

As the leading agency in promoting culture and arts in the Philippines, NCCA, through the Sub commission on Cultural Heritage (SCH), leads the celebration of NHM 2018 with the theme “Pambansang Pagkakaisa Para sa Pamana” (National Unity for Heritage) to highlight the unifying force of a common heritage as a nation and underscore the need for national unity to ensure that such heritage is preserved for the enjoyment of future generations.

The NHM Opening Ceremonies will be held in SM City Davao on May 2 and will include cultural performances and commemorative messages from Mayor Sara Duterte of Davao City and Fr. Harold Ll. Rentoria, SCH Commissioner. In honor of the said event, the official NHM stamp launching with representatives from the Philippine Postal Corporation (PHLPost) will also be part of the ceremony.

Partnering with NCCA for the said celebration is the Filipinas Heritage Festivals Inc., led by its President, Armita Rufino, and Financial Officer Araceli Salas. FHFI will be conducting an array of cultural activities such as Philippine games; exhibits regarding heritage conservation, preservation, and development; and youth forums in the cities of Taguig, Davao, Tuguegarao, Cabanatuan, and the Province of Aklan.

NCCA engages cultural agencies, government offices, and private institutions to partake in 2018 NHM celebration. Interested parties may submit their activities in relation to the event which will be included in the NHM Calendar of Activities. These may include, but are not limited to, heritage-related tours, lecture demonstrations, conferences, exhibits, online advocacies, and clean up drives in declared cultural and historical sites, which aim to increase public awareness on the value of cultural heritage and its role in shaping the Filipino identity.

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CCP names ‘Thirteen Artists 2018’ in various disciplines

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The Cultural Center of the Philippines (CCP) has selected the final list of awardees for the 2018 Thirteen Artists Awards (TAA). Now on its 17th year, 185 artists have been given recognition in the field of contemporary visual art since the program was first started in 1970.

The 2018 Thirteen Artists Awardees (from left) Zeus Bascon, Cian Dayrit, Janos Dela Cruz, Carlo Gabuco, Dina Gadia, Guerrero Habulan, Doktor Karayom, Raffy Napay, Archie Oclos, Shireen Seno and Lynyrd Paras. Not in photo are Bea Camacho Eisa Jocson

The awardees are Zeus Bascon, Bea Camacho, Cian Dayrit, Janos Dela Cruz, Carlo Gabuco, Dina Gadia, Guerrero Habulan, Eisa Jocson, Doktor Karayom, Raffy Napay, Archie Oclos, Lynyrd Paras and Shireen Seno.

Administered by the CCP Visual Arts and Museum Division (VAMD) under the Production and Exhibition Department, former CCP Museum Director Roberto Chabet started TAA that is known for ushering in new forms of art. It showcases the Filipino artists’ work that grasped to “restructure, restrengthen and renew artmaking and art thinking…that lend viability to Philippine art”.

It was Raymundo Albano—Chabet’s successor as Museum Director—who transformed the 13 Artists into the awards program that it is today. The Thirteen Artists exhibition was mounted every two years from 1970 to 1980, and only again in 1988, 1990, 1992 and 1994. It was revived in 2000, and changed to a triennial format and given an age limit of 40, which is continued to this day.

The nominations, which started in December 15, 2017, were received from museum directors, gallerists, independent curators, heads of art and cultural organizations, and former TAA awardees.

This year’s panel of jurors included past TAA winners namely Ofelia Gelvezon-Tequi (1972), Leonilo Doloricon, (1990), Noel Cuizon (1994), Yasmin Sison-Ching (2006), with Rica Estrada, Officer-in-Charge of the VAMD, representing the CCP.

Winners will receive a cash grant to defray cost of materials for producing new work for a group exhibition at the Bulwagang Juan Luna (Main Gallery). The exhibit opening on October 18 will be highlighted with the formal recognition of winners.

This year’s exhibition will be curated by Ronald Achacoso (TAA 2000 awardee) while the trophy will be designed by Eric Zamuco (TAA 2003 awardee).

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A crazy, macabre family on stage

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You thought your family was crazy? Wait till you meet the Brewsters! With a sadistic great grandfather, a delusional brother, and two seemingly-sweet aunts revealed to be more sinister than anyone could imagine, Mortimer Brewster has to control the crazy situation without going insane himself. Repertory Philippines or REP is staging the dark comedy “Arsenic and Old Lace” from April 6 to 29 at the OnStage Theater, Greenbelt 1, Makati City.

Joseph Kesselring’s Arsenic and Old Lace was a hit on stage and ran for more than one

Get rady to meet the Brewsters onstage

thousand shows both in New York and London. It was popularized through the film of the same name, which starred one of the most beloved comedies from Hollywood’s Golden Era, Cary Grant.

The story follows Mortimer who seems to be living a happy and perfect life with a steady job in a prestigious New York publication and a new engagement. As he goes to see his aunts, he uncovers family secrets that turn his world upside down. With his delusional brother’s surprise visit, Mortimer must now protect his fiancée and his family, all while trying to save his own sanity.

Catch the macabre mayhem as this classic comedy turns gruesome murder into glorious laughs.

Directed by Jamie Wilson, REP’s Arsenic and Old Lace features Joy Virata, Jay Valencia Glorioso, Jeremy Domingo, Nelsito Gomez, Sheikh Abraham, Barbara Jance, Robbie Guevara, Gabe Mercado, Steven Conde, Dingdong Rosales and Luis Marcelo.

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Disney’s ‘The Lion King’ now roaring in Manila

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The world’s No. 1 musical has arrived in Manila, paws, fur, tail and all. Disney’s “The Lion King” officially raised its curtain at The Theater at Solaire on March 28, and is looking at a full house for every performance until May 6.

Calvyn Grandling plays the much- loved role of Simba

A landmark musical event, it is truly high time that the worldwide phenomenon finally comes to Manila’s stage, which for the last decade has seen tremendous patronage for both local and international theater productions alike.

Happily, acclaimed director Julie Taymor who brilliantly re-imagined the now classic Disney movie into a theatric spectacle, has chosen the Philippines as the jump off point of this all new world tour for The Lion King.

Full rehearsals began in January right here in Manila, with a global cast and crew comprised of 18 different nationalities.

Filipino Julien Joshua Dolor Jr. as the Young Simba and Mthokozisi Emkay Khanyile as Mufasa PHOTOS BY ANDREA DE LA CRUZ

“We really planned that this show should not only play here in Manila but also rehearse here. And so for the past three months, almost 140 people have called Manila home as we’ve created our costumes, built our sets and rehearsed here,” Michael Cassel, the musical’s producer shared with members of the local and international media during its press preview on March 27.

“Over 18 nationalities are represented both onstage and behind the scenes. We also welcomed to The Lion King family a lot of talented Filipino costume makers, designers and technicians who have helped bring to life this spectacular production,” he continued.

The principal cast of The Lion King is led by Ntsepa Pitjeng who reprises the role of Rafiki from performances in the US, United Kingdom, Brazil, and Switzerland. Direct from London’s West End production, meanwhile, is Mthokozisi Emkay Khanyile in the role of Mufasa, as well as West End music theatre performer Antony Lawrence as Scar.

Also in the cast are Australian actor André Jewson as Zazu, the charismatic New Zealand-born performer Jamie McGregor as Timon, and South African favorite Pierre van Heerden returns as Pumbaa.

From the Philippines, six actors are officially part of The Lion King’s production, namely Julien Joshua Dolor Jr., Gabriel Tiongson and Omar Sharief Uddin, alternating as the Young Simba; Sheena Kirsten Bentoy, Uma Naomi Martin and Felicity Kyle Napuli taking turns as the Young Nala.

Rounding out the principal cast are South African performers Calvyn Grandling playing the much-loved role of Simba; up-and-coming stage star Noxolo Dlamini as Nala; Candida Mosoma who reprises the role of Shenzi; Björn Blignaut as Banzai; and Mark Tatham as Ed.

Wonder of live theater

Associate Director Anthony Lyn meanwhile emphasized that The Lion King will greatly contribute to the local theater industry here as well as the succeeding countries they will visit by initiating the love for this artistic genre through the wonder of live theater—the product of music, acting, stage design and costumes all coming together.

Director Taymor, who also doubles as costume designer and mask co-designer, zoomed in on bringing the animals to life for the stage via a makeover from past productions.

Filipina Felicity Kyle Napuli (center) as the Young Nala

Speaking on Taymor’s behalf, Associate Director Lyn elaborated, “When it comes to representing the animals on stage, Julie decided very quickly that she will not dress the cast by covering up their body with fur so they can pretend to be lions. Instead, she has this concept of a double event, which comes from her training in Asia, specifically in Indonesia where she studied.

“Julie decided that the best plan to represent the animals would be to have them as animals onstage the entire time while the audience sees the human operating the animal at the same time. So in the production, there are times when the actor has a mask on top of his head so that we can see both the human and the animal in the character,” he added.

In doing this, Lyn showed how Taymor did not merely copy the film onto the stage but re-imagined it to bring about the wonder of a theatrical experience.

Family and humanity

Beyond entertainment, Lyn pointed out that The Lion King is essentially a story on family and humanity. In fact, he and the team have seen many parallelisms between the production and their experience setting up a home in Manila since January.

“The humanity of the story deals with the themes that so many of us have dealt with. It deals with the themes of love, love lost, betrayal, death and most especially that of a prodigal son’s story. It is about Simba who leaves home and goes into exile. While in exile, he has to make a decision about himself in order to go back and deal with the past and reclaim his kingdom,” Lyn began.

“From there, you see that it’s a story everyone can connect with. It’s about family, community, good and evil that happens in life and how we learn to deal with those things. And while The Lion King is all about family, very quickly by the time that we’ve been here three months ago, this group of people—the cast and the crew—have very much come together and instantly treated one another like family. That’s by the fact that everybody here in Manila has welcomed us with such open arms,” Lyn furthered with gratitude.

Now on its 20th year as a theatrical production, The Lion King continues its ascent as one of the most popular stage musicals in the world. Since its Broadway premiere on November 13, 1997, more than 90 million audiences have seen 24 global productions and counting.

After the Philippines, the international tour will head to Singapore, Korea and Taiwan with more engagements to be announced soon.

The Lion King is presented by the Michael Cassel Group and Concertus Manila, in association with Disney Theatrical Productions.

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‘Hanggang Saan’ succeeds at giving teleseryes a makeover

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Filipino teleseryes—a local slang and portmanteau of “television” and “series”—have long earned the reputation of being “unnecessarily long” or “too melodramatic” over the years. “Formulaic” often comes to mind as well in describing all too common plots such as babies switched at birth, a beautiful woman’s rags-to-riches rise, and of course, the ever present love-triangle.

It is therefore but natural when viewers come across a show that brea

Mother and son tandem Sylvia Sanchez and Arjo Atayde team up on small screen for the first time

ks the typical Filipino teleserye mold, they quickly become avid fans of the series and all too happy to point out why they are glued to the box anew.

Arjo Atayde plays Sonya’s (Sanchez) diligent son Paco

Such is the case of ABS-CBN’s ongoing afternoon teleserye “Hanggang Saan,” which has successfully drawn the Filipino viewer to a familial story with a new approach and plot development.

Starring the real life mother-and-son tandem of multi-awarded actress Sylvia Sanchez and the promising Arjo Atayde, Hanggang Saan follows the story of Sonya Alipio (Sanchez)—a low-income single mother of two boys, Paco (Atayde) and Domeng (Yves Flores)—whose dire situation forces her to do the unthinkable.

Sonya learns that one of her sons has a rare condition and needs a substantial amount of money to save his life.

Young actress Sue Ramirez

On the eve of her deadline to pay the hospital, she finds herself assisting in the suicide of a problematic businessman who promises to give her a prized watch that could cover her son’s hospital expenses. Coming to her senses, Sonya changes her mind and struggles for the gun. The trigger goes off and the businessman dies.

Unknown to Sonya, however, someone else close by had actually shot the businessman—a rival of his—so that years later, when she is finally consumed by guilt she confesses to the crime and is thrown behind bars.

Her son Paco, already a lawyer at this crossroads, finds out the truth and sets off to prove her mother’s innocence in court.

Smart, fast-paced

From its premiere in November 2017, Hanggang Saan became a fixture on social media’s trending topics, and has since sustained its huge following as a smart crime and mystery drama with a unique style of storytelling.

Sanchez and Teresa Loyzaga both portray loving mothers who will do anything for their children

As Twitter user @nurseP13 wrote, “Exciting ang ganap sa #HanggangSaan. I love how the drama is fast paced. Katamad mag-watch sa traditional Pinoy series pag dragging masyado.

User @KhayriRRW also posted, “#HanggangSaan is underrated. The plot solely being moved by female characters deserved praise. The all-lady investigation circle is a gem. Romance subplot is non-toxic and doesn’t rely on fan service. Ariel Rivera is a capable villain.”

User @minethemgold6, meanwhile, likened the show to the legal thrillers of a best selling author: “Sobrang ganda ng #HanggangSaan. Every episode ka-abang abang… It kind of gives me the same excitement with that of my favorite male author, John Grisham’s suspense novels… Sobrang ganda!”

User @iam_maYAN’s comment summarizes the series’ positive points with, “Hanggang Saan na ang isa sa pinaka matalinong teleserye na sinubaybayan ko… Medyo mabilis ang pacing but it makes the story more kaabang abang every day—yung hindi pwedeng may ma-miss kang eksena!”

Still a family series

While the show breaks down barriers with its technique and pacing that is likened to Western soap operas, and noted too for its new approach in tackling morality, Hanggang Saan’s creators still maintain that it is first and foremost a series about family.

They make sure that the mother-child tandems of Sonya and Paco, Jean (Teresa Loyzaga) and Anna (Sue Ramirez), portray classic Filipino values and traditions.

Sonya is the perfect representation of a mother who is willing to do anything—even at times risk her own life—for the sake of her family.

Jean—the wife of the slain businessman (Ariel Rivera)—on the other hand, may be portrayed as the vengeful nemesis of Sonya, but just like the latter, her decisions are anchored for the good of her daughter.

Meanwhile, Paco is a typical Filipino child who voluntarily gives back and takes care of his family once he reaches his goal and finds success.

Finally, as feisty and liberated as Anna is, she is just like any daughter who will be her mother’s protector in the latter’s most trying times.

As the story continues to unfold, Hanggang Saan promises to keep the audience at the edge of their seats while staying true to its two-fold goal of providing quality entertainment while upholding the most important among the Filipino values that are anchored on the family.

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Easter promises the gift of resurrection across all faiths

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‘For as in Adam all die, so also in Christ shall all be made alive’ – 1 Corinthians 15:22

Alleluia the Lord is Risen! The famed Christ the Redeemer statue in Brazil

Easter is the most important day in the Christian calendar besides Christmas. Commemorating the resurrection of Jesus Christ three days after his death on the cross on Good Friday, Christendom has different takes on this essential event in human existence. Nevertheless, each one ultimately points to the apostle Paul’s pronouncement in 1 Corinthians 15:17: “If Christ has not been raised, your faith is worthless.”

Indeed the account on the Lord’s resurrection is the cornerstone of the Christian belief, for every hope of mortality is hinged on this wonderful story that had never happened before in human history.

Mark Chapter 16 (New International Reader’s Version) details the circumstances of the Resurrection.

“The Sabbath day ended. Mary Magdalene, Mary the mother of James, and Salome bought spices. They were going to use them for Jesus’ body. 2 Very early on the first day of the week, they were on their way to the tomb. It was just after sunrise. 3 They asked each other, ‘Who will roll the stone away from the entrance to the tomb?’

“4 Then they looked up and saw that the stone had been rolled away. The stone was very large. 5 They entered the tomb. As they did, they saw a young man dressed in a white robe. He was sitting on the right side. They were alarmed.

“6 ‘Don’t be alarmed,’ he said. ‘You are looking for Jesus the Nazarene, who was crucified. But he has risen! He is not here! See the place where they had put him. 7 Go! Tell his disciples and Peter, ‘He is going ahead of you into Galilee. There you will see him. It will be just as he told you.’

“8 The women were shaking and confused. They went out and ran away from the tomb. They said nothing to anyone, because they were afraid. 9 Jesus rose from the dead early on the first day of the week. He appeared first to Mary Magdalene. He had driven seven demons out of her. 10 She went and told those who had been with him. She found them crying. They were very sad. 11 They heard that Jesus was alive and that she had seen him. But they did not believe it.

“12 After that, Jesus appeared in a different form to two of them. This happened while they were walking out in the country. 13 The two returned and told the others about it. But the others did not believe them either. 14 Later Jesus appeared to the 11 disciples as they were eating. He spoke firmly to them because they had no faith. They would not believe those who had seen him after he rose from the dead.

“15 He said to them, ‘Go into all the world. Preach the good news to everyone. 16 Anyone who believes and is baptized will be saved. But anyone who does not believe will be punished. 17 Here are the miraculous signs that those who believe will do. In my name they will drive out demons. They will speak in languages they had not known before. 18 They will pick up snakes with their hands. And when they drink deadly poison, it will not hurt them at all. They will place their hands on sick people. And the people will get well.

“19 When the Lord Jesus finished speaking to them, he was taken up into heaven. He sat down at the right hand of God. 20 Then the disciples went out and preached everywhere. The Lord worked with them. And he backed up his word by the signs that went with it.”

Traditions and biblical interpretation of this mystery of faith may be different from one Christian denomination to another, but they certainly assert the same conclusion: That Jesus died for mankind and by virtue of his conquest of death, everyone will receive the gift of resurrection too (1 Corinthians 15:22).

Misconceptions

There are non-theologians to this day who will argue that Easter comes from pagan origins. They say the event was named after the Teutonic (German) goddess Eastre or Eostre or the Babylonian-Assyrian fertility goddess Ishtar and the Phoenician counterpart, Astarte.

But in footnote of the mid-19th century edition of Eusebius’ Ecclesiastical History, translator Isaac Boyle indicates that Easter is of Saxon (English) origin, “and precisely the same import with its German cognate Ostern, derived from the old Teutonic form of auferstehn or auferstehung which is translated as resurrection.

The annual spring celebration of the resurrection of Jesus was not called Easter until centuries after Christians began celebrating it. For them, the word “Easter” was thought to have come from the words dawn or east (the time and place of the rising sun), which describe the promise of new light and new life brought to humanity by the new-risen Son.

Catholic praxis

The most prominent and most widely practiced Easter celebration around the world is that of the Catholic faithful, who begin its anticipation on Ash Wednesday [the beginning of Lent], through the next 40 days until Palm Sunday to remind humans of their mortality—“From dust you came, to dust you shall return.”

For the Jehovah’s Witnesses, the “Memorial” or Last Supper, commemorating the date of the Jewish Passover when Jesus gathered his disciples in an upper room and broke bread with them, is the most important part of the Savior’s passion, death and resurrection

On Holy Thursday, Catholics follow liturgical practices that include the re-enactment of the Last Supper during Mass, and where 12 chosen parishioners represent the 12 Apostles for the washing of feet by the priest presider. This is done to follow Jesus’ example in humility and serving his fellowmen.

In the Philippines, the day also marks the practice of “Visita Iglesia” – the tradition of visiting seven or 14 churches as panata.

While Mass is not celebrated on Good Friday, a procession of the Santo Entierro or the Dead Christ is held on this day. Religious figures carried during the procession are further covered in black as a symbol of mourning for the death of the Lord. The Divine Mercy Novena also begins on this day.

Black Saturday is considered special day during the Holy Week with the Easter vigil beginning late at night. An hours-long celebration in anticipation of the resurrection of Christ, it is also a time for new Catholics (converted adults) to be baptized. The priest wears white for this Mass, as symbol of Jesus’ victory over death.

An important part of Black Saturday’s rites is the lighting of the Paschal candle, the first candle to be lit during the vigil to represent the light of Christ coming into the world.

An important part of the Easter Vigil is the lighting of the Paschal candle—the first candle to be lit to represent the light of Christ coming into the world (Pope Francis’ photo from CatholicKey.Org)

Pope Benedict XVI expounded on the importance of the Paschal candle during his Easter Vigil in 2012, “ This is a light that lives from sacrifice. The candle shines inasmuch as it is burnt up. It gives a light, inasmuch as it gives itself. Thus the Church presents most beautifully the paschal mystery of Christ, who gives himself and so bestows the great light.”

At dawn on Easter Sunday, the event starts with the salubong or encounter presupposing the risen Christ meets Mother Mary to proclaim his resurrection.

At dawn on Easter Sunday, the risen Christ meets his Mother Mary to proclaim his resurrection in a Catholic tradition called the salubong

Catholics and Cultures, a worldwide organization of Catholic countries, explains the Filipino tradition, “The statue of Mary, covered in a black mourning dress, is carried by the women of the town along one route, with statues of the saints who had been with Jesus before and after his death.

“On the other hand, the statue of the Risen Christ is carried by men along a different route. Crowds join both processions, where the destination is an outdoor stage where the images of Jesus and Mary meet.

“On stage, a ritual of singing and dancing marks the meeting of the images. Young women, chosen each year for this honor, have the leading roles in these ceremonies. One woman, in a role as tenyenta, dances a dance of thanksgiving and welcome. Another woman as kapitana sings recounting the role of Mary in Jesus’ life.

“A giant paper banana blossom hangs over the stage just above where Mary’s statue is placed, and when it opens it reveals a young girl dressed as an angel in white, then removes the Mary’s black veil of sorrow. Participants join in the celebration of the Resurrection and the end of Mary’s sorrow.”

Aglipays or Independiente

A spin-off of the Roman Catholic Church, the Aglipayan Church –officially called the Philippine Independent Church or Iglesia Filipina Independiente (IFI) when it was established in 1902 – follows the same practices as its forebears. They hold the salubong very early on Easter Sunday, preceded by the Vigil Mass held on the evening of Black Saturday.

Named after its first supreme head, Father Gregorio Aglipay, the group proclaimed its break from the Catholic Church by the members of the Union Obrera Democratica Filipina or the Democratic Workers Union of the Philippines due to abuses and maltreatment of Filipinos by the Spanish friars.

Take note that the Aglipayan Chuch does not adhere to Roman Catholic dictum of “infallibility of the Pope.” In fact, it rejects the spiritual authority of the head of the Vatican.

Latter-Day Saints

Formally called The Church of Jesus Christ of Latter-Day Saints but nicknamed the Mormon Church, its members who are called Mormons, celebrate Easter not just to commemorate the Resurrection of Christ but also to observe the universal resurrection that the Apostle Paul asserted in 1 Corinthians 15:20 to 22: “But now is Christ risen from the dead, and become the firstfruits of them that slept. For since by man came death, by man came also the resurrection of the dead. For as in Adam all die, even so in Christ shall all be made alive.” (King James Version)

What makes this Christian denomination unique is their use of “another scripture” besides the Bible—this is the Book of Mormon, an account of people of Jewish descent that inhabited the Western Hemisphere. The book in gold plates—said to have been compiled by Prophet Mormon and delivered to Joseph Smith in 1823 by his son Moroni, who was resurrected and became an angel—was translated and first published in 1830.

The resurrected Christ appearing to Mary Magdalene LDS.ORG PHOTO

The Book of Mormon corroborates the testimony of the apostles that Jesus Christ died and rose from the dead, and that he is the Savior who will come to judge both the living and the dead in an appointed time, which only God the Father knows. It further contains religious writings of civilizations in ancient America between 2200 BC and AD 421, including an eyewitness account of the ministry of Jesus Christ on the American continent following his resurrection in Jerusalem.

The Latter-Day Saints (LDS) official website (www.lds.org) explains how Easter is celebrated among them.

“Latter-Day Saints conduct Easter Sunday services but do not follow the religious observances of Ash Wednesday, Lent, or Holy Week. LDS Easter services traditionally review New Testament and Book of Mormon accounts of Christ’s crucifixion, His Resurrection, and surrounding events.

“For these services, chapels are often decorated with white lilies and other symbols of life. Ward [equivalent to a parish]choirs frequently present Easter cantatas, and congregations sing Easter hymns. As at services on other Sundays, the emblems of the sacrament are passed to the congregation.

There are non-theologians who believe that Easter comes from pagan origins—an event honoring the Teutonic goddess Eastre or Eostre or the Babylonian-Assyrian fertility goddess Ishtar

“Some LDS families include Easter bunnies and eggs in their family festivities for the delight of children. Such traditions are not officially discouraged, though they have no religious significance to members. The focus of the holiday is religious.

“For Latter-Day Saints, Easter is a celebration of the promise of eternal life through Christ. They share the conviction of Job [in the Old Testament]: ‘For I know that my redeemer lives, and that he shall stand at the latter day upon the earth: and though after my skin worms destroy this body, yet in my flesh shall I see God’.” (Job 19:25-26)

Non-celebrating Christians

On July 27, 1914, Felix Manalo – upheld by members to be the last messenger of God – registered Iglesia Ni
Cristo (INC) with the Philippine government and deemed it as an act of divine providence in fulfilment of biblical prophecy. The “angel coming from the East,” concurrent with the coming of the seventh seal marking the end of days as written in the Book of Revelation, is believed to be Manalo.

INC does not celebrate Easter nor observe Lent and Christmas. Their belief is anchored on the dictum that customs associated with these Christian holy days and holidays are of pagan origin.

Expounding on its doctrine, INC adheres to the misconception that Easter was derived from the forgotten dawn goddess Eastre, same as the customs held during the period are of pagan element, like the blessing of eggs (and the activity of egg-hunting), meat and other food that were forbidden during Lent.

While the Iglesia ni Cristo do not celebrate Easter, they believe that Christ’s resurrection is an assertion that the dead will live again

Unique as a Filipino-founded church, INC does not acquiesce to the godhood or divinity of Jesus Christ. For them, the central figure of Christianity is a holy and special man. They believe that he is the Son of God and that God made him Lord and Savior, but he is not God—he is only the mediator of man to God.

However, they believe that Christ’s resurrection is an assertion that the dead will live again.

“Those in Christ will rise first to be with Him forever in the Holy City [Jerusalem]; those who are not of Christ will rise a thousand years after the first resurrection to be cast into the lake of fire,” encapsulates their conviction.
The Jehovah’s Witnesses (JW) is another group whose assertion of their “truthfulness” is their non-adherence to traditional Christian beliefs and customs like Easter and Christmas—which according to Watchtower and Bible Tract Society (publisher of their own Bible edition and books and magazines containing their doctrines)—is the correct interpretation of the Holy Scriptures.

First, they believe that Jehovah is the name of the only true God, and Jesus Christ is His only begotten Son who sacrificed his life to redeem humanity from the original sin inherited from Adam.

For them, the most important event during the period is the “Memorial” or Last Supper, commemorating the date of the Jewish Passover when Jesus gathered his disciples in an upper room and broke bread with them.

As explained in jw.org, the Last Supper is the only anniversary that the Lord commanded his disciples to celebrate, quoting Luke 22:19, “And he took bread, and when he had given thanks, broke it and gave it to them, saying, ‘This is my body, which is given for you. Do this in remembrance of me.’”

The date, under the Jewish calendar, occurred on the evening of Nisan 14, 33 CE. This year, it fell on March 31. Also on this occasion, JWs believe that those who have been chosen as part of the special 144,000 (as written in the Book of Revelation) partake of the bread symbolizing the body of Christ (which is called sacrament or communion in other denominations).

* * *

An Easter hymn

One of the most remarkable hymns about the Resurrection was written by Samuel Medley (1738-1799) with music by Lewis D. Edwards. Titled “I Know That My Redeemer Lives,” the hymn was included in the first LDS hymnbook published in 1835.

I know that my Redeemer lives
What comfort this sweet sentence gives!
He lives, he lives, who once was dead
He lives, my ever-living Head
He lives to bless me with his love
He lives to plead for me above
He lives my hungry soul to feed
He lives to bless in time of need.

He lives to grant me rich supply
He lives to guide me with his eye
He lives to comfort me when faint
He lives to hear my soul’s complaint
He lives to silence all my fears
He lives to wipe away my tears
He lives to calm my troubled heart
He lives all blessings to impart.

He lives, my kind, wise heav’nly Friend
He lives and loves me to the end
He lives, and while he lives, I’ll sing
He lives, my Prophet, Priest, and King
He lives and grants me daily breath
He lives, and I shall conquer death
He lives my mansion to prepare
He lives to bring me safely there.

He lives! All glory to his name!
He lives, my Savior still the same
Oh. sweet the joy this sentence gives:
“I know that my Redeemer lives!”
He lives! All glory to his name!
He lives, my Savior still the same
Oh, sweet the joy this sentence gives:
“I know that my Redeemer lives!”

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CCP holds 5th National Rondalla Workshop

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The Cultural Center of the Philippines (CCP) conducts its 5th National Rondalla Workshop on April 24 to 28 daily from 9 a.m. to 6 p.m. in various venues at the complex.

Open to rondalla groups all over the country which have been in existence for at least two years and are non-beginners, the workshop is conducted for those who wish to further hone their skills in rondalla technique and performance. This training program follows the highly successful CCP National Rondalla Workshops held every April since 2014.

Leading the workshop trainers is Elaine Espejo Cajucom of the Celso Espejo Rondalla and the UP Rondalla, and faculty member of the UP College of Music.

Module includes sectional rehearsals per rondalla instrument, note reading sessions, individual rondalla ensemble cliniquing sessions, and plenary sessions wherein all the participants gather together to learn a common piece, culminating in a program at the CCP Tanghalang Aurelio Tolentino (Little Theater) on Saturday, April 28 at 4 p.m.

The annual CCP National Rondalla Workshop is recognized for having trained rondalla ensembles and banduria players who became national finalists and have won top prizes in the solo banduria and the rondalla ensemble competitions of the National Music Competitions for Young Artists (NAMCYA).

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Always on Saturdays

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50 years of the Saturday Group​

‘Games for Three’ by Cesar Legaspi, oil on wood (1973)

A chance meeting one sunny Saturday afternoon in 1968 at the defunct Taza de Oro (literally translated “Golden Cup”) along Dewey Boulevard (now Roxas Boulevard) in Malate, as the story goes, has led to 2,500 Saturdays more of friendship and camaraderie in art for what we know today as the country’s premier group of artists, the Saturday Group.

This enduring bond is honored in a special commemorative exhibit called “Saturday Group Gold: Celebrating 50 Years in Art,” which features 112 artworks by 100 artists, including those from the group’s 31 current members, at the Bulwagang Juan Luna (Main Gallery) of the Cultural Center of the Philippines (CCP).

‘Day Off sa London’ by Benedicto Cabrera, charcoal and pastel on paper (1979)

Exhibition curator Ricky Francisco, through the support of the CCP Visual Arts and Museum Division and Filipino Heritage Festival Inc., also brought in 40 pieces from the CCP visual arts collection, including “rarely seen” works of eight Saturday Group members who became National Artists for Painting or Visual Arts.

These include founding leaders Hernando Ocampo and Cesar Legaspi, Vicente Manansala, Arturo Luz, Ang Kiukok, Jose Joya, Benedicto Cabrera, and Federico Aguilar Alcuaz. The work of its ninth National Artist member, Francisco “Botong” Francisco, came from a private collection.

More than 250 accomplished artists and art lovers became part of the Saturday Group over the past five decades, lending prestige to the group for having “the largest number of established and respected artists in its roster,” according to Francisco.

‘La Mesa’ by Ang Kiukok, oil on canvas (1979)

“In the exhibition, the artists are grouped according to who was the leader during their membership, which begins from the founding members under the group’s first recognized leader, H.R. Ocampo,” Francisco explained.

Succeeding heads were Cesar Legaspi, Onib Olmedo, Mauro Malang Santos, Cris Cruz, Buds Convocar, Anna de Leon, Migs Villanueva and Omi Reyes.

CCP Visual Arts and Museum Division officer-in-charge Rica Estrada said visitors to the exhibition are also given the opportunity to learn about the Saturday Group’s history and numerous accomplishments through archival materials, including photos of get-togethers, projects, exhibits and news clippings about its activities.

The members of the exhibition’s curatorial committee were Jerome Malic, Justin Nuyda, Omi Reyes, Susan Reyes, Chichi Salas, Migs Villanueva, and Inna Naanep Vitasa.

Past and present members of the Saturday Group (SG) with one of its founders, Afredo “Ding” Roces (first row, second from right)

The exhibition opened with sessions in nude sketching led by Australia-based Alfredo “Ding” Roces, one of the group’s four founders, and interaction painting (artworks made by two or more artists) of both past and current members—two traditions that the group introduced to the country’s art scene in 1968 and 1971, respectively.

Nine artists participated in the nude sketching session inside the main gallery: Hermes Alegre, Dante Castillo, Allan Cosio, Ivi Cosio, Gig de Pio, Carlos Gabuco, Roel Obemio and Franklin Caña Valencia.

Saturday Group president Omi Reyes said the exhibition served as a big reunion of former and present members whose sense of camaraderie was sealed primarily by doing art together.

“We aren’t just an organization, we are a family,” he said, as members were reunited at the exhibition “just like a family reunion.”

The old did mix with the new when Roces reminisced on the group’s early days.

“We did not have a formal structure. We had no officers. Everyone was equal. Everyone was welcome, non-artists included. After all, Attorney Tony Quintos and businessman Enrique Velasquez, both original founders, were not artists. Gallery owners, writers, art patrons, students, ‘osiosos,’ plus an old lady peddling art supplies were all part of the group. The rule was, if you showed up twice at the Taza de Oro gathering, you were considered a member.”

He also congratulated the group “for carrying the torch that extra mile forward” and thanked the CCP “on behalf of the original members for giving the Saturday Group a place in the nation’s art biography.”

Viewing the exhibition, he was left awed by the “bountifully overwhelming” activity of contemporary art in the country.

SG founder Alfredo ‘Ding’ Roces and wife Irene (center) with SG president Omi Reyes and wife Susan

“Reuniting with the works of old friends and seeing new expressions of the contemporary Saturday Group, I am touched by nostalgia and joy,” he said. “Once again, I glimpse the familiar artworks and styles of old companions, some now in that glorious studio in the sky, and I greet them as of old—Nanding Ocampo, Cesar Legaspi, Joe Joya, Onib Olmedo, Galo Ocampo, and so many others.”

The Saturday Group was eventually formalized when it was officially registered at the Security and Exchange Commission (SEC) in 2017. Its own gallery at Shangri-La Plaza in Mandaluyong City also opened middle of last year.

Reyes said the group continues to help young artists through its scholarship program, collaborate with entities like Gawad Kalinga for its social projects, and raise funds for various institutions such as the University of the Philippines-Philippine General Hospital and Cid Reyes Foundation.

Present members include former presidents Buds Convocar, Anna de Leon, and Migs Villanueva, Roel Obemio, Salvador Ching, Aner Sebastian, Francis Nacion, Jaime Gubaton, Gerrico Blanco, Carlo Ongchangco, Eman Santos, Anthony Palo, Danny Pangan, Robert Deniega, Ronnie Bercero, Joy Rojas, Lydia Velasco, Franklin Caña, Hermes Alegre, Ding Hidalgo, Rudy Roma Lunod, Inna Naanep Vitasa, Tessie Picaña, Rose Gisbert, Nida Cranbourne, Sheila Tiangco, Joseph Villamar, Ysa Gernale, Daisy Carlos and Helena Alegre.

Today’s Saturday Group looks back with gratitude as it drinks from the “golden cup” prepared by its founders and former members over the years and looks forward to more Saturdays—always on Saturdays—that contribute to a flourishing contemporary art scene in the country.

“Saturday Group Gold: Celebrating 50 Years in Art” is on view until May 6, Tuesday to Sunday, 10 a.m. to 6 p.m.

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‘Crucifixion’ exhibit at Lopenze Art Space

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Art aficionados in Quezon Province still have the chance to catch “The Crucifixion”—Kristo Manila’s exhibition that has been giving viewers a chance at Lenten meditation through the visual arts – as it’s on view until April 26 at the Lopenze Art Space located at 86 San Roque Street, Barangay Burgos, Lopez, Quezon.

‘I Thirst’ by Elios Santos

This is the fist time that the annual Lenten art presentation is held in a gallery outside Metro Manila, in support of the National Commission on Culture and the Arts-National Committee on Art Galleries’ efforts to promote art and art awareness in the regions through its Art and Soul Project.

Participating artists include Lhalane Arenque, Vince Balana, Tristan Bamba, MJ Bonapos, Daryl Bronzal, Noel Bueza, Jopeth Buñag, Rez Cada, Xander Calceta, Frank Caña, Jeremie Cantillana, Christian de Castro, Eleno Dedio III, Paul Dimalanta, Mark Ebora, Luke Estrana, Dan Gonzales, Ferdie Jingco, Michelle Stephann Jingco, Avie Lafuente, Maki Liwanag, Tito Loreto, Christel Macailao, Agang Maganda, Wilfredo Offermaria Jr., Kenneth Orcilla, Renato Palad, Carmelito Palomares Jr., Sam Penaso, Marilyn Pillerva, Gabriel Potes, Marcelo Quezon, Pauline Racelis, Aann Reynales, Eric Roca, Raymond Roldan, Tres Roman, Bin Samonte, Elios Santos, Jeric Suñga, August Tazon, Roma Valdez, Melo Valencia, Jay Mar Valdoria, and Roland Yumang.

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Cinemalaya conducts advanced filmmaking workshops

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Cinemalaya Institute has opened applications for its advanced courses in directing and film production until April 20. Classes will be held from May 8 to June 30 at the Cultural Center of the Philippines.

Noted movie director Carlos Siguion-Reyna will teach “Basic Filmmaking: The Silent Film,” a six-week course in directing that will enable the students to apply the basics of film language in film exercises and master the classic conventions and tools of the film directors.

Carlos Siguion-Reyna (extreme right) with other instructors and participants in last year’s workshop

Students are challenged to find their cinematic voice within the basic language of narrative film. Each student will direct his keystone project –a five-minute silent digital film in narrative structure that shall be shot on a day exterior locations and shall use sound effects but not music – toward the end of the course. Viewing of clips, readings, and classroom discussions will provide a framework for the course material.

Siguion-Reyna is an award-winning director who received his M.F.A. in film from New York University’s Tisch School of the Arts.

The four-week course on film production that covers the different elements and fundamental skills and procedures used in making a film will be handled by John Paul Su, also a Master of Fine Arts graduate of NYU’s Tisch School of the Arts. He is a two-time recipient of Ani ng Dangal award and was named one of the Outstanding Filipino Artist in the field of Cinema in 2016.

Called Introduction to Producing, students of this course are advised to learn Movie Magic prior the beginning of classes. By the third week of class, they are required to prepare a production book for their shoot. This will be the second time that Cinemalaya Institute will be offering this course.

Cinemalaya Institute has been the training arm of the Cinemalaya Foundation since 2015, focusing its efforts on providing education, training and accreditation of practitioners in key aspects of film production.

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A summer escapade movie binge

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Four of the featured films that revolve around a duo of protagonists

Road trip movies revolving around a duo of protagonists are at the heart of the films being screened this April at the Museum of Contemporary Art and Design (MCAD).

Located at the De La Salle-College of Saint Benilde (DLS-CSB), the commonality of the featured movies is
highlighted in a collection which involves two individuals on a journey and how this affects their relationship.

Themes such as intimacy, isolation and the need for companionship are touched on in this selection covering a variety of genres.

First up is Jerry Schatzberg’s “Scarecrow,” showing today.

Starring multi-awarded talents Gene Hackman and Al Pacino, it follows an ex-con drifter and a homeless former sailor as they travel from California to Pittsburgh where the former hopes to open a car wash.

Although it bombed in ticket sales in the United States, it tied for the 1973 Cannes Film Festival Grand Prix with
“The Hireling” by Alan Bridges.

This will be followed by “Alice in the Cities” by Wim Wenders on April 11, 13 and 15.

The principal character Philip, a West German writer, accompanies Alice, a young girl entrusted in his care, as they travel from the United States to Germany to deliver the child to her grandmother.

The movie is considered a watershed in Wender’s career, as he found his trademark style during its inception.
The use of long scenes without dialogue, mostly improvised, shot in black-and-white have become his signature.

Up next on April 18, 20 and 22 is Ridley Scott’s “Thelma & Louise,” which was then considered ahead of its time for a Hollywood movie for having two female leads.

Starring former Academy Award winners Susan Sarandon and Geena Davis, what was supposed to be an ordinary fishing trip turns into a nightmare when Louise accidentally shoots dead the man who tried to rape Thelma, forcing them to run from the law.

Rounding up the festival is Takeshi Kitano’s “Kikujiro” on April 25, 27 and 29. Kikujuro accompanies Masao on a journey to visit his mother from a faraway town. When they lose all their money at the races, they decide to hitchhike the rest of the way.

The movies are curated by Heman Chong, an artist whose work is at the intersection between image, performance, situations and writing. He is behind MCAD Manila’s first project under MCAD Commons, The Library of Unread Books, with co-founder and chief librarian Renee Staal. He recently produced a trilogy of solo exhibitions at Rockbund Art Museum in Shanghai, South London Gallery in London, and Art Sonje Center in Seoul. His work has been shown at the 20th Sydney Biennale, 10th Gwangju Biennale, Asia Pacific Triennale 7, Performa 11, Manifesta 7, 2nd Singapore Biennale and has represented Singapore at the 50th Venice Biennale. He is presently working on the novel The Book of Drafts, which will be published in 2019.

All screenings will be held at the MCAD Multimedia Room, with two showings on Wednesdays and Fridays, at 12 noon and 3 p.m., and at 12 noon on Sundays.

The shows are free and open to the public. MCAD DLS-CSB is located at the School of Design and Arts (SDA) Campus of the De La Salle-College of Saint Benilde, Dominga Street, Malate, Manila.

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On Betsy and ‘Pepe’

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The renowned visual artist Betsy Westendorp has lived in the Philippines for so long she presumably regards this country as her second home.

RL Orosa portrait by Betsy Westendorp

Betsy has painted landscapes, seascapes, skyscapes and flower arrangements. She is also highly recognized for her portraits of eminent personalities including members of Spanish royalty and high society figures of Madrid and Manila. As such, she has held exhibitions in major venues in Manila, Madrid and other European capitals.

Betsy’s countless friends continue to admire her humility and unassuming manner despite the stature and prestige she enjoys in the art world. Indeed, Betsy is always Betsy.

Betsy emailed me this: “There was a project undertaken by the De La Salle University Press where I was asked to make a compilation of the paintings I consider my best works. The DLSU proceeded to make the book, shouldering all the expenses of this life-long dream. Rita Ledesma worked with me as my editor and liaison to the publisher. The book was launched in time for my 90th birthday at the Metropolitan Museum.”

‘Sunset in Manila Bay’

Meanwhile, Pepe Rodriguez launched a book “Creating Barriers, Creating Communities Southeast Asia and Asean: An Introduction” at Raffles Hotel, Makati with Virgilio Galvez as co-author.

Pepe, who headed the Spanish News Agency EFE and the Instituto Cervantes for decades, has a wide background covering such diverse fields as politics, governance, economics, geography, sociology, history, etc. Furthermore, he often lectures or writes on past and present relations between Spain and the Philippines.

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Isabella Manjon shares life after reign

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CARLA BIANCA RAVANES-HIGHAM

Two weeks ago, a new set of beauty queens were crowned and it made me think of a childhood friend who too was blessed with her own reign.

It was in 2011 when nursing graduate Isabella Manjon was crowned Binibining Pilipinas-Tourism and represented the country in China. For most of her childhood friends, her win was unexpected because she has always been on the athletic side than the feminine side.

Isabella recalls that it was purely coincidence when she joined the pageant.

“I was waiting for the results of the nursing board exam when my handlers encouraged me to join. I had nothing to lose and so I started training with no specific goal in mind. I just wanted to try something new and enjoy,” she relates.

As the sole face of the Department of Tourism, her stint also opened doors for the former model to try out show business where she was in various TV shows including the hit “Be Careful With My Heart” with Jodi Sta. Maria.

Isabella Manjon with Shamcey Supsup (left) in 2016

For Isabella, the pageant trained her in many ways.

“I learned to be more patient since I was training in heels for months, dealing with a lot of people, and having a hectic schedule. It also taught me to appreciate life more because of the many charity work we were involved in.

It gave me a greater appreciation of life and reminded me to appreciate each moment and live life to the fullest,” she says.

Isabella, who was in the same batch as Shamcey Supsup, also notes that beauty queens of today are more well-rounded and carry more than just beautiful faces, “Representing the country is a big responsibility and winners are more than beautiful, they are smart and confident.”

Despite the many offers from show business after her reign, Isabella decided to switch from in front of the camera to behind the scenes.

“After my reign, I decided to pursue a career in the corporate world, as Mall of Asia’s event manager. I have been working here for four years,” she enthuses.

Her position requires her to oversee events, including concerts, and yes, Miss Universe and Bb. Pilipinas engagements.

Isabella also notes that she gracefully transitioned simply because she found a newfound purpose in what she is doing.

“Before I used to be front and center, now I am behind the scenes and I am comfortable with that. I have learned the grace of being humble, being kind to others and being true to myself. I am very happy with the work I do for a of Asia and I hope to grow more and contribute [to the progress and development of the trade].”

Isabella said that although she was offered a lot of other opportunities, she chose one that allows her to take care and remain close with her family.

Of course, what is a beauty queen without being asked a pageanty question? When asked what makes a woman beautiful, Isabella smiles and says, “What makes a woman beautiful is having a good heart. Fame and physical beauty will pass and forgotten but the way you treat others will remain.”

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Auction focuses on modern art for scholarship fund

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Fifty-seven years after it was established, the Filipino Scholarship Program (FSP) continues to inspire promising futures for the next generation through education at the International School Manila (ISM).

“Start them young on the road to world peace and friendship” were the first words from a major newspaper in 1961 announcing the establishment of the program.

‘Family’ by Angelito Antonio (1989)

Scholars who graduated from what was then American School Manila (until its present name) gained entry into top colleges and universities in the Philippines as well as renowned universities abroad like Harvard, Yale, Stanford, Columbia, Cornell and Princeton. These more than 150 scholars have gone on to pursue successful careers as entrepreneurs, humanitarians, lawyers, doctors and architects.

‘Pabitin-bitin’ by Norma Belliza(1990)

In 2012, ISM expanded the scholarship in honor of former guidance counselor Vicky SyCip Herrera and her 38 years of service to the school. The Vicky SyCip Herrera (VSH) Filipino Scholarship seeks to fund a fifth student with exceptional ability in each grade level from eight to 12, adding to the four that the school directly funds.

Moreover, the VSH Filipino Scholarship offers additional assistance to the school’s four internally-funded scholars by underwriting the costs involved in their continuing education in sports, academic competitions and the like held locally and abroad.

Scholars are selected by a committee comprising school administrators and counselors on the basis of academic merit, extra-curricular promise, and financial circumstances, with extra consideration given to those who come from especially underprivileged backgrounds.

‘Apartel Del Puerto De Santa Maria’ by Fernando Zobel (1973)

It is for this cause that Gavel&Block by Salcedo Auctions and International School Manila is mounting an auction to raise funds for VSH FSP, focusing on art and design for the contemporary market.

The auction will be held on May 5 at 2 p.m. at The Conservatory, The Peninsula Manila. Preview will run from May 1 to May 4, 10 a.m. to 6 p.m. at The Gallery, Level 3, The Peninsula Manila. The online catalogue may be viewed at salcedoauctions.com starting April 16.

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2018 Binibini queens support autism awareness

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For the second year in a row, the iconic Smart Araneta Coliseum –known as the Philippine mecca of sports, entertainment and beauty pageantry – joined the international community in observing World Autism Awareness Day on April 2.

Also known as the Big Dome, its green gate was illuminated with blue lights just like other landmarks around the world including the Empire State Building in New York, the Niagara Falls in Canada, the Suez Canal in Egypt, the Edinburgh Castle in Scotland, the Sagrada Familia in Spain and the Burj Khalifa in Dubai.

(From left) Bb. Pilipinas 2018 2nd Runner-Up Samantha Bernardo, Bb. Pilipinas Globe 2018 Michele Gumabao, Bb. Pilipinas Grand International 2018 Eva Patainjug, Miss Universe Philippines 2018 Catriona Gray, Bb. Pilipinas International 2018 Ahtisa Manalo, Bb. Pilipinas Supranational 2018 Jehza Mae Huelar and Bb. Pilipinas Intercontinental 2018 Karen Gallman

The Light It Up Blue event, a worldwide initiative that coincides with the UN-sanctioned World Autism Awareness Day, is a symbolic way of standing up with and understanding people living with autism.

No less than the newly crowned queens – proclaimed from among 40 official candidates on March 18 – graced the event as they aim to use their platform as titleholders to raise awareness on worthy causes like this.

“It’s a very enlightening experience. Thanks to the Araneta Group, we are able to participate in events such as this that not only educate us, but also allow us to give insight and awareness to those that we influence,” Miss Universe Philippine 2018 Catriona Gray said.

“Moving forward, we hope to continue to work not just with groups that champion autism awareness, but also other groups that focus on other PWD concerns,” she added.

“This is our first event as Binibini queens, and I am grateful because events like this allow us to lend our voices to our advocacies,” said Binibining Pilipinas Globe 2018 Michele Gumabao.

Gray, Gumabao and Binibining Pilipinas International Ma. Ahtisa Manalo, Binibining Pilipinas Supranational Jehza Huelar, Binibining Pilipinas Grand International Eva Patalinjug, Binibining Pilipinas Intercontinental Karen Gallman and Binibining Pilipinas second runner-up Samantha Bernardo has been busy making media rounds after their coronation.

Also present during the event was Philippine Information Agency (PIA) director general Harold Clavite who stressed the importance of early detection of autism so people living with this condition will be given the proper treatment. He also vowed to use the agency to empower women and girls living with autism, the theme echoed in this year’s celebration as well.

Teachers Ma. Carmencita Guanzon-Borbon, Pilar Relovo Habito, Josephine Villareal Nepomuceno and Fredeswina Tantengco-Javier; Special Olympics Philippines executive Ma. Cristina Zafra Canizares; developmental pediatricians Dr. Joel Lazaro and Dr. Alexis Socorro de Leon Reyes; social workers Angela Marina Luna Pangan and Ederlinda Lumaad Salud; and Bacolod City Mayor Evelio Leonardia were recognized for their efforts to raise autism awareness and help people with autism.

Philippine Association for Citizens with Developmental and Learning Disabilities (PACDLD) founder Octavio “Ogie” SA Gonzales was also given a posthumous tribute for his contributions to the cause.

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From reluctant hotelier to top general manager

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Idealism is part and parcel of being young. The youth—no matter the decade or century—dream big, hope for the best and believe they can make all things happen. However, once a person reaches a certain level of maturity, he or she comes to realize that it is not always easy to achieve one’s goals. It then becomes up to them to continue chasing their dreams or wholeheartedly embrace changes to make the most out of reality.

Luxent Hotel’s General Manager Melanie Siy-Pagkalinawan chose to take the latter option, not knowing she would someday lead one of the fastest rising independent hotels in the country.

“I really wanted to be a painter when I graduated high school,” Pagkalinawan revealed to The Sunday Times Magazine in this one-on-one interview at the well-appointed Quezon City property.

“When I was younger, I liked to draw, sketch and use colors. I think I had the passion and the talent [for art]because I would join—with my teachers often volunteering me—school competitions and win,” she recalled laughingly.

Now a full-fledged general manager of independent hotel brand Luxent, Melanie Siy-Pagkalinawan is more that pleased to mentor a new generation of hoteliers

Humble, even as she has reached the top post in Luxent, Pagkalinawan told The Sunday Times Magazine she has always felt her artistic pursuit is for “personal appreciation only.”

It is therefore likely that this very notion convinced her younger and idealistic self to take a good friend’s career suggestion, rather than what is generally perceived as an impractical goal of becoming an artist.

“When I was applying for college, a good friend of mine suggested I take Hotel and Restaurant Management (HRM) degree and thereafter—since I come from a Chinese background—open my own business,” Pagkalinawan imparted.

No love at ‘first try’ 

Whether it was because her passion truly lay in the visual arts or that she knew nothing about the hotel and restaurant industry, Pagkalinawan quickly realized she disliked the course she took at the University of Santo Tomas.

“I didn’t like HRM when I was studying because we had to cook and a lot of other related activities which I really wasn’t fond of,” she laughed again.

With her strong leadership, first-rate team, efficient services and top facilities, Luxent Hotel has been recognized with TripAdvisor’s ‘Certificate of Excellence’ as well as a four-star rating by the Department of Tourism

Moreover, an aversion to one particular but essential subject for her course almost drove her to drop out of HRM altogether. “I wasn’t good in Math at that time so I told myself I’d look for a course that doesn’t involve too much Math. So why not painting na lang because that’ really what I wanted to do in the first place?”

A reasonable girl nonetheless, Pagkalinawan pursued the course after she had her moment, realizing too she truly wanted to open up a business of her own.

“The course went on for years. I was already doing my practicum at Sheraton Hotel [now Century Park Hotel in Manila]and still I wasn’t passionate about it yet—more at that particular time because I was assigned in the kitchen to peel onions and potatoes!” she confessed.

“Then I was assigned to pastry but I was never fond of chocolates, not even its smell, and neither of donuts. Suffice to say, I wasn’t happy with my stint in the kitchen,” Pagkalinawan carried on almost sheepishly.

Her perception finally shifted when she was assigned to the hotel’s office and front desk.

“I spent time in the purchasing office and at the front desk, which I enjoyed because I had a lot of interaction with different people. In purchasing, there were a lot of suppliers coming in and out, while at the front office, I was able to handle guests, even foreigners, an experience which was new to me. Finally, I was starting to enjoy my work in the hotel industry,” she happily recalled.

With a newfound appreciation for hotel management, Pagkalinawan decided to hold off in opening a business and give her well-earned profession a shot after graduation. She nervously applied for a job at Holiday Inn Manila, and was immediately hired as Front Desk Agent.

“I think that was really the time I realized I liked being in this environment. In fact, I enjoyed myself so much that I’d work beyond my official hours.”

With that, she permanently shelved the idea of opening her own business—and that of becoming a painter—embracing her reality as a young hotelier.

Breaking hospitality grounds

From Front Desk Agent, Pagkalinawan’s determination and passion, as she puts it, propelled her rise in the hotel industry. She next took on the post of Front Office Manager at Traders Hotel, under the Shangri-La chain, considered a mean feat for someone all of 26 years old. The general manager-in-the making was in fact the youngest executive at Traders to handle a staff of 30 in a group of season hoteliers.

Thereafter, she held varying managerial positions at Hotel Intercontinental and Mandarin Oriental Manila, before serving concurrently as Hotel Manager and Business Development Manager of Best Western Oxfords Suites, and finally joining Luxent Hotel in Quezon City.

Celebrating its sixth year in the business, Luxent Hotel prides itself as the only four-star hotel in Quezon City

Growing an independent hotel

Far from her initial apprehension, Pagkalinawan now confidently oversees Luxent Hotel, a four-star property at the heart of the leisure and entertainment area of Quezon City, as general manager.

Celebrating its sixth anniversary this June, Luxent Hotel prides itself as one of the first hotels to have sprung in the Tomas Morato district, and an independent hotel at that, without any affiliation to other established chains.

“We are proud to be the first of its kind in the city with new hotels opening up after us and seeing the potential of business here,” the general manager said matter-of-factly.

According the lady boss, who joined the hotel as its second general manager before Luxent officially turned a year old in 2013, she has committed to the following goals ever since: To ensure high quality standards of rooms as well as the food and beverage division, while contributing to the personal development of their staff, and securing a reasonable return of investments for the owners.

Asked if the hotel has been able to achieve these objectives over the last five years, Pagkalinawan replied with sense of pride, “Oh yes. We were able to train loyal employees to start with. Year after year we have been increasing our average occupancy level, and concurrently, increasing repeat guest business. Finally, we have been able to create a good online reputation. These, among other factors, go to show that we have achieved our goals, and continue to do so.”

Indeed, a quick check on the American travel and restaurant website TripAdvisor shows positive reviews for Luxent from previous hotel guests.

Since launching in 2012, Luxent has consistently achieved high-quality standards in accommodation and other hotel facilities

The spacious rooms in a refreshing and relaxing neutral color palette; the genuine hospitality from the entire staff; and the upscale and bespoke amenities such as pool, gym and spa all housed in the 16-storey hotel scored some of the highest points on the website.

Today, Luxent Hotel is also swiftly earning a reputation for its food and beverage offerings what with its two thriving in-house outlets: the Garden Café, featuring a wide array of sumptuous breakfast, lunch and dinner buffets; and the Lush Bar and Lounge, which offers ala carte menus and drinks at the hotel’s lobby. The Bread Indulgence Corner, meanwhile, where guests can choose their favorite baked goodies, prepared fresh every day, is becoming a favorite among guests, too.

“For more concrete proof, Luxent Hotel has been recognized by TripAdvisor with ‘Certificate of Excellence’ and by no less than the Department of Tourism with a four-star rating,” Pagkalinawan added.

No wonder executives and businessmen—from across the pharmaceutical, business process outsourcing and media industries, as well as government and non-governmental organizations—as well as families continue to frequent the hotel day in and day out.

And if the posh interiors of Luxent or the well appointed lobby look familiar to some, it is because the hotel has also been location for TV and movie events.

Open door policy

At the heart of the hotel’s achievements, Pagkalinawan credits her loyal staff for Luxent’s success. The very individuals who have been praised on- and off-line for their remarkable service, and how according to them, their general manager has devotedly nurtured them to deliver their best.

“When it comes to managerial style, I’d say I have an open door policy—you can approach me anytime. I am also brutally frank so much so that when somebody commits mistake, I will tell it straight to his or her face, but I’ll make sure that I correct that mistake right then and there by doing some coaching—that’s my style,” Pagkalinawan noted.

According to the general manager, this compassion stems from the fact that she has been through the day-to-day challenges of a hotel setup.

“I know from experience that there are different types of guests—the meticulous—the ones who complain a lot—and then there are those who are too enthusiastic about their great experience. As such, it requires a different approach to deal with these types and I want to coach everyone on the team how to handle them.”

In the grand scheme of things, Pagkalinawan said mentoring is a win-win situation for the employees and the company. “Because eventually, when you mentor them the right way, they will feel empowered and they can soon make the right decisions on their own. Consequently, they can make the lives of the company heads easier.”

With this kind of policy Pagkalinawan is brimming with optimism that her team can bring Luxent Hotel to greater heights in the years to come.

“At this rate, I’d like to believe that in the next six years, Luxent Hotel will be known globally. We will be known for our stress-free accommodation, great food and great ability to extend excellent service,” Pagkalinawan enthused.

That is not to say however that they will rest on their laurels given that the hotel is already enjoying success.

Pagkalinawan said she always finds new facets to improve on, one of which is to utilize digital technology all the more to reach out to customers who are always online.

Female GMs on the rise

Another amiable feat for this reluctant hotelier is joining the league of women who now comprise top posts in an industry long dominated by men.

Over the years, the hotel has further earned a reputation for its food offerings with two thriving in-house outlets—the Garden Café and Lush Bar and Lounge

“I am happy to see female general managers becoming more common nowadays. Admittedly, it’s very different compared to the time when I started my career,” Pagkalinawan noted.

While it was no walk in the park to get where she is right now, Pagkalinawan said she was able to do it with the following mantra. “Raise your hand to have a seat at the table.”

“What this means to me is that women should be aggressive, speak out and express themselves to be heard. They should not be dissuaded into thinking that this or that field is dominated by men, because they will not stand out.

“But women should make sure that they know what they are saying—they just can’t raise their hand and be senseless. To do so, they have to be educated, knowledgeable and updated on what’s happening around them to be on top of their game.”

All in all, Pagkalinawan believes that if women carry themselves with knowledge and confidence, they can climb to the top of even the most male-dominated fields.

One only needs to look at her rise in the hotel industry to have faith—especially given the fact that Pagkalinawan only came to love what she reluctantly chose to do much later in her HRM course.

Inspiringly, she is also proof that even if one’s dreams do not work out, success—and happiness—is still possible with what fate brings one’s way.

The post From reluctant hotelier to top general manager appeared first on The Manila Times Online.

New head for Nobel literature body after scandal

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Sara Danius speaks to the media after announcing her resignation from the Swedish Academy last week. (AFP Photo)

STOCKHOLM: The Swedish Academy, which awards the Nobel Literature Prize, appointed a new head last Friday as a sexual harrassment scandal rocked the prestigious institution.

Two members, including permanent secretary Sara Danius, resigned last Thursday over a controversy that has divided the academy into two camps.

The scandal centers on allegations by 18 women that they had been harassed and physically abused by Jean-Claude Arnault, the French husband of Academy member Katarina Frostenson. He denies the allegations.

Anders Olsson, a writer and professor of literature, said on Sweden’s SR radio that he had been appointed to the post on a “temporary basis.”

Danius, the first woman to head the body since its founding in 1786, said last Thursday that “it is the Academy’s wish that I leave my post as permanent secretary.”

“I would have liked to have continued, but there are other things to do in life,” she added.

She also said she was also leaving the academy. Technically, the body’s 18 members are appointed for life and cannot resign, but they can choose not to participate in the academy’s meetings and decisions.

Katarina Frostenson, meanwhile, also announced she would no longer take part in the academy’s work.

The Swedish Academy, which had subsidized her husband’s cultural club Forum in Stockholm for many years, cut all ties with his establishment—a key meeting point for the country’s cultural elite—in November after the allegations emerged.

The academy, meanwhile, is conducting an internal investigation into the allegations amid fears that its global reputation and the standing of its Literature prize could be tarnished.

“This is devastating for the reputation of the Nobel prize,” Mattias Berg, who covers cultural affairs for SR radio, told Agence France-Presse.

“It seems the Nobel prize for literature, the most important prize for literature in the world, is awarded by an academy that shows nothing but a lack of judgement and integrity,” he added.

The Swedish Academy, which comes under the direct patronage of the Swedish king, is traditionally very discreet, with its meetings and decisions normally shrouded in secrecy.

The other Nobel prizes—for medicine, physics, chemistry, economics and peace—are decided by other institutions in Sweden and Norway.

The post New head for Nobel literature body after scandal appeared first on The Manila Times Online.

Junot Díaz: ‘Every story is political’

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Pulitzer Prize-winning Dominican-American author Junot Díaz. (Photo from Junot Díaz’s Facebook page)

During a press tour for his latest book, New York Times bestselling and Pulitzer Prize-winning author Junot Díaz stopped at the Lawrence Public Library in Lawrence, Massachussetts, late last month.

“Islandborn,” Díaz’s first picture book for young readers, grew from a promise to his goddaughters when they asked him to write a book about girls like them: Dominican girls from the Bronx.

It’s not the first time the Dominican-born author has been to the city.

“If you’re Dominican, you’re never too far from Lawrence,” Díaz said of the city with one of the highest populations of people from the Dominican Republic in the United States.

Of the few hundred people in the audience, the majority were Lawrence residents, based on a hand count. Some familiar with the author’s adult fiction came from neighboring communities.

The story touches on many of the same themes Díaz highlights in his fiction: immigration, identity, collective memory, and the oscillation between otherness and belonging.

English and Spanish versions of “Islandborn.” (Photo from Junot Díaz’s Facebook page)

It follows a six-year-old girl, Lola, on a school assignment to learn about where she came from. She doesn’t have memories of “the Island,” but her whole neighborhood does, so she asks people to share their stories and memories.

They tell her of oppressive heat, “like five bullies,” Díaz read from the book; poetic beaches; mangoes so big they bring tears to one’s eyes; and even a monster that loomed over the Island for decades, a nod to political dictators.

Díaz was born in Santo Domingo. He was about Lola’s age when he and his family fled to the US from the Dominican Republic, which was torn apart by the dictatorship of Rafael Trujillo.

Though his energy was light and affable, Díaz acknowledged the political tones of the story.

“Every story is political,” he said.

In the story, the monster is defeated through friendship.

“The old-person word for this is solidarity,” he said to snaps and applause from the audience.

Like many authors, he told self-deprecating jokes. That promise he made to his goddaughters? He made it 20 years ago and the book was just released in March.

But, also like many authors, every word he uttered had weight. When asked why he wrote the story, aside from a promise, he responded “I wrote this book because I wanted to read this book.”

He has noted that growing up, he rarely saw characters that looked like him.

The Cooperative Children’s Book Center estimated in 2016 that while 37 percent of the US population is people of color, only 11 percent of children’s books written in the past two decades are by or about people of color.

Díaz had an effervescent energy. He referred to children as young people, and adults as old people. He dropped “yo” and “man” with ease.

He spoke a bit about his life, read passages from “Islandborn,” then opened the event up to questions—young people first.

“Then if we have any time, we’ll see if old people have questions,” he said.

When it did come time for questions from adults, he made a point to hear from women of color.

Dahianna Ramirez clutched copies of Díaz’s other works of fiction. She said she followed his writing and talks about it often with her family.

His background is similar to mine, “so I identify with it,” said Ramirez, who came from Peabody with her children to see Diaz speak. “I find his writing refreshing; he also writes about real stuff.”

Now, Ramirez has the opportunity to share her love of Díaz’s writing with her children.

“He’s disciplined. My parents tell me to be disciplined, too,” said 10-year-old Gabriella Encarnacion, Ramirez’s daughter.

Celeste Cruz, 19, of Lawrence, said Díaz was her biggest inspiration for her own writing.

“He’s super honest. I don’t feel like he has to act, or code switch based on the crowd,” she added.

A woman asked him why he thought it was necessary to teach children about dictators.

“One thing people like us are good at is fighting political monsters,” he responded. “It’s our inheritance.”

The post Junot Díaz: ‘Every story is political’ appeared first on The Manila Times Online.

Musical theater songwriter William Elvin to release new album

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After producing a string of original Filipino musicals, including 2011’s “Rizal X”, 2013’s “Maxie The Musicale” and 2016’s “Mula sa Buwan,” singer-songwriter William Elvin is set to release a new collection of personal songs on Spotify and Apple Music in October this year.

Having gained fan support through his emotionally vulnerable and brutally honest musical works, songs such as “Ang Sabi Nila” (MulasaBuwan), “But I Love No One But You and Tonight,” “I Break Some Promises (Rizal X)” have garnered thousands of listeners on Spotify. With the new album’s release, Elvin aims to express his musical message on a more personal level and connect with his listeners more intimately.

“I think the new album will be an exploration of where I am now as an artist as opposed to where I was creatively when I was just starting out,” said Elvin. “It will contain a mix of songs I have recently written here in HK and some that were from when I was 17 years old,” he revealed.

Elvin started performing music in 2003 with small band gigs in the now-defunct iconic rock club Mayric’s in Espana, Manila. He then went on to become a performer, writer and director for the stage after being trained in DulaangUP, the official theater group of the University of the Philippines Diliman.

He is now based in Hong Kong and is active in the Filipino musician community in the city, and continues to perform with his band William Elvin and the Circus Tour.

The post Musical theater songwriter William Elvin to release new album appeared first on The Manila Times Online.

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